Ceramic Industry October 2011
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With the second British Ceramics Biennial , which opened at the weekend, the city is aiming to present itself as the guardian of creativity for British ceramics in all its forms — art, craft, design, and industry — and to remind visitors that the city still has a pottery industry, even if it employs a fraction of the people it did 30 years ago. Exhibits range from high-concept, elaborate installations, such as the innumerable, 5cm clay figures of commuting businessmen by artist Lawrence Epps that scatter Stoke railway station, to piles of bricks.
The main part of the Biennial takes place in the now disused Spode factory , which occupies a four-hectare acre site in the heart of Stoke. It is a beautiful but rough-and-ready space, with wall signs still proclaiming the location of the "machine-banding shop" and warning that "ear protection must be worn when tapping ware".
The creative director of Portmeirion , Julian Teed, recalls the suddenness with which it was abandoned when Spode went bust in , saying that when he visited the empty building some time later: "There was still a half-drunk cup of tea and the local paper open on someone's desk. Now, though, here are Sarah Younan's sexual, Eve Hesse-inspired ceramic pieces — teapots strung from the wall with lids like nipples, others decorated with erect penises.
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But also on display are terracotta pantiles, artificial ceramic hipjoints, and the life-saving ceramic filters that are used in disaster zones to remove pathogenic bacteria from drinking water. There is a certain irony to the location: the once-thriving Spode factory, until 13 November, transformed into a destination for visitors and part of the tourism industry, rather than part of industry. Bought by the council in , the long-term aim, according to Stoke's regeneration chief Kevin Bell, is to transform the site into a mixture of shops, apartments and events spaces.
But the Biennial's co-director Barney Hare Duke argued that it is not "about celebrating the past, but about being a catalyst", citing seven artists that have been commissioned to create work.
Local employment in the pottery industry collapsed in the s and s, when the giant manufacturers, notably Royal Doulton and Wedgwood, who between them employed 20, people in the early s, switched production to Malaysia, Indonesia and China. Then, the buzz word was "outsourcing"; ware could be produced at a fraction of the price in the far east.
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Name of Director Dr Roman Dudenhausen Date of last notice - Part 1 - Change of director's relevant interests in securities In the case of a trust, this includes interests in the trust made available by the responsible entity of the trust Note: In the case of a company, interests which come within paragraph i of the definition of "notifiable interest of a director" should be disclosed in this part.
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